Heavily tattooed is not the norm, tough guys eat ice cream. people payed attention to the tattoos.Whatever you get paid attention for is never what you think is most important about yourself.What passes for hip cynical transcendence of sentiment is really some kind of fear of being really human, since to be really human is probably to be unavoidably sentimental and naïve and goo-prone and generally pathetic.

I have decided being scared is caused mostly by thinking. There are all different kinds of freedom, and the kind that is most precious you will not hear much talked about in the great outside world of winning and achieving and displaying. The really important kind of freedom involves attention, and awareness, and discipline, and effort, and being able truly to care about other people and to sacrifice for them, over and over, in myriad petty little unsexy ways, every day. That is real freedom. The alternative is unconsciousness, the default setting, the 'rat race' - the constant gnawing sense of having had and lost some infinite thing.

hoffa needs some work, but a good start , im excited. tattoo enthusiasm. this is not supposed to be ironic. And make no mistake: irony tyrannizes us. The reason why our pervasive cultural irony is at once so powerful and so unsatisfying is that an ironist is impossible to pin down. All U.S. irony is based on an implicit "I don’t really mean what I’m saying." So what does irony as a cultural norm mean to say? That it’s impossible to mean what you say? That maybe it’s too bad it’s impossible, but wake up and smell the coffee already? Most likely, I think, today’s irony ends up saying: "How totally banal of you to ask what I really mean." FUCK IRONY... postmodernisms dead bitches thank you Mario Incandenza i love you more than I could ever begin to describe.

Sex with people you dont love is lonely.......It did what all ads are supposed to do: create an anxiety relievable by purchase.An ad that pretends to be art is -- at absolute best -- like somebody who smiles warmly at you only because he wants something from you. This is dishonest, but what's sinister is the cumulative effect that such dishonesty has on us: since it offers a perfect facsimile or simulacrum of goodwill without goodwill's real spirit, it messes with our heads and eventually starts upping our defenses even in cases of genuine smiles and real art and true goodwill. It makes us feel confused and lonely and impotent and angry and scared. It causes despair.
In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what's human and magical that still live and glow despite the times' darkness. Really good fiction could have as dark a worldview as it wished, but it'd find a way both to depict this world and to illuminate the possibilities for being alive and human in it
Literary fiction and poetry are real marginalized right now. There's a fallacy that some of my friends sometimes fall into, the ol' "The audience is stupid. The audience only wants to go this deep. Poor us, we're marginalized because of TV, the great hypnotic blah, blah." You can sit around and have these pity parties for yourself. Of course this is bullshit. If an art form is marginalized it's because it's not speaking to people. One possible reason is that the people it's speaking to have become too stupid to appreciate it. That seems a little easy to me.

cafe haiti, where one can get a decent cup of coffee "with legs" and I am told a prostitute.We're all lonely for something we don't know we're lonely for. How else to explain the curious feeling that goes around feeling like missing somebody we've never even met?

September 11th happened here first, kinda cool to see.his is so American, man: either make something your god and cosmos and then worship it, or else kill it.

Family. Awesome..in real life I always seem to have a hard time winding up a conversation or asking somebody to leave, and sometimes the moment becomes so delicate and fraught with social complexity that I'll get overwhelmed trying to sort out all the different possible ways of saying it and all the different implications of each option and will just sort of blank out and do it totally straight -- 'I want to terminate the conversation and not have you be in my apartment anymore' -- which evidently makes me look either as if I'm very rude and abrupt or as if I'm semi-autistic and have no sense of how to wind up a conversation gracefully...I've actually lost friends this way.

My King Crab boat!I had kind of a midlife crisis at twenty which probably doesn’t augur well for my longevity....It’s a very American illness, the idea of giving yourself away entirely to the idea of working in order to achieve some sort of brass ring that usually involves people feeling some way about you – I mean, people wonder why we walk around feeling alienated and lonely and stressed out

sweet bird tattoo.There's a kind of Ah-ha! Somebody at least for a moment feels about something or sees something the way that I do. It doesn't happen all the time. It's these brief flashes or flames, but I get that sometimes. I feel unalone—intellectually, emotionally, spiritually. I feel human and unalone and that I'm in a deep, significant conversation with another consciousness in fiction and poetry in a way that I don't with other art

There's good self-consciousness, and then there's toxic, paralyzing, raped-by-psychic-Bedouins self-consciousness

Acceptance is usally more a matter of fatigue than anything else.The parts of me that used to think I was different or smarter or whatever, almost made me die.If you can think of times in your life that you’ve treated people with extraordinary decency and love, and pure uninterested concern, just because they were valuable as human beings. The ability to do that with ourselves. To treat ourselves the way we would treat a really good, precious friend. Or a tiny child of ours that we absolutely loved more than life itself. And I think it’s probably possible to achieve that. I think part of the job we’re here for is to learn how to do it... funny I could never do it here, in a church...

Ide say they are looking at whats coming but we never see that ...Both destiny's kisses and its dope-slaps illustrate an individual person's basic personal powerlessness over the really meaningful events in his life: i.e. almost nothing important that ever happens to you happens because you engineer it. Destiny has no beeper; destiny always leans trenchcoated out of an alley with some sort of Psst that you usually can't even hear because you're in such a rush to or from something important you've tried to engineer.

a popular question i got was "what do you think of chile". Anytime anyone asks me what I think I have to pause because the potential for me to alienate myself with the response is immense....... Are we not all of us fanatics? I say only what you of the U.S.A. pretend you do not know. Attachments are of great seriousness. Choose your attachments carefully. Choose your temple of fanaticism with great care. What you wish to sing of as tragic love is an attachment not carefully chosen. Die for one person? This is a craziness. Persons change, leave, die, become ill. They leave, lie, go mad, have sickness, betray you, die. Your nation outlives you. A cause outlives you.

There are very few innocent sentences in my writing... I promise

The Beach House was dope as fuck.Thanx valenzuelas for the red carpet tour of CHILE it was fantastic!
It is within your power to experience a crowded, loud, slow, consumer-hell-type situation as not only meaningful but sacred, on fire with the same force that lit the stars - compassion, love, the sub-surface unity of all things. Not that that mystical stuff's necessarily true: the only thing that's capital-T True is that you get to decide how you're going to try to see it. You get to consciously decide what has meaning and what doesn't. You get to decide what to worship...even if its jesus

If I worship money and things — if they are where I tap real meaning in life — then I will never have enough. Never feel I have enough. It’s the truth. Worship your own body and beauty and sexual allure and you will always feel ugly, and when time and age start showing, you will die a million deaths before they finally plant you. On one level, we all know this stuff already — it’s been codified as myths, proverbs, clichés, bromides, epigrams, parables: the skeleton of every great story. The trick is keeping the truth up-front in daily consciousness. Worship power — you will feel weak and afraid, and you will need ever more power over others to keep the fear at bay. Worship your intellect, being seen as smart — you will end up feeling stupid, a fraud, always on the verge of being found out. And so on

The interesting thing is why we're so desperate for this anesthetic against loneliness.

Truly decent, innocent people can be taxing to be around...because im not any of these things...

Logical validity is not a guarantee of truth... I promise.

I was distracted by whine, and who owns the winery and what the people he has killed to afford the winery might think of the "bouquet " or the body of the wine...No wonder I couldn't appreciate the really central Kafka joke: that the horrific struggle to establish a human self results in a self whose humanity is inseparable from the horrific struggle. That our endless and impossible journey toward home is in fact our home....duh...wine

I had four hundred thousand pages of continental philosophy and lit theory in my head. And by God, I was going to use it to prove to him that I was smarter than he was.... Oh ya...action!

Am I a good person? Deep down, do I even really want to be a good person, or do I only want to seem like a good person so that people (including myself) will approve of me? Is there a difference? How do I ever actually know whether I'm bullshitting myself, morally speaking? bottom line is that such thinking is a heavy yolk to bear... and ultimately none of my bussiness, what do my actions say, what do my actions say what do my actions say........

It's all very confusing. I think I'm very honest and candid, but I'm also proud of how honest and candid I am -- so where does that put me... oh ya, action...

"TE OCCIDERE POSSUNT SED TE EDERE NON POSSUNT NEFAS EST."
"They can kill you, but the legalities of eating you are quite a bit dicier."

Progressive liberals seem incapable of stating the obvious truth: that we who are well off should be willing to share more of what we have with poor people not for the poor people's sake but for our own; i.e., we should share what we have in order to become less narrow and frightened and lonely and self-centered people

The endless land and sea, the backpack full of books, wallace, Bolano, they got me thinking about postmodernism, as I have been described as such.For me, the last few years of the postmodern era have seemed a bit like the way you feel when you're in high school and your parents go on a trip, and you throw a party. You get all your friends over and throw this wild disgusting fabulous party. For a while it's great, free and freeing, parental authority gone and overthrown, a cat's-away-let's-play Dionysian revel. But then time passes and the party gets louder and louder, and you run out of drugs, and nobody's got any money for more drugs, and things get broken and spilled, and there's cigarette burn on the couch, and you're the host and it's your house too, and you gradually start wishing your parents would come back and restore some fucking order in your house. It's not a perfect analogy, but the sense I get of my generation of writers and intellectuals or whatever is that it's 3:00 A.M. and the couch has several burn-holes and somebody's thrown up in the umbrella stand and we're wishing the revel would end. The postmodern founders' patricidal work was great, but patricide produces orphans, and no amount of revelry can make up for the fact that writers my age have been literary orphans throughout our formative years. We're kind of wishing some parents would come back. And of course we're uneasy about the fact that we wish they'd come back--I mean, what's wrong with us? Are we total pussies? Is there something about authority and limits we actually need? And then the uneasiest feeling of all, as we start gradually to realize that parents in fact aren't ever coming back--which means we're going to have to be the parents. Lets be Honest your shaking your head, but you have no clue what those patricidal works were, dont worry, I am going to explain postmodernism in no uncertain terms in upcoming blogs... so you can repeat it outside of a mtng or in a coffee house and pretend you know what the fuck it is your talking about. thank me later... It’s of some interest that the lively arts of the millenial U.S.A. treat anhedonia and internal emptiness as hip and cool. It’s maybe the vestiges of the Romantic glorification of Weltschmerz, which means world-weariness or hip ennui. Maybe it’s the fact that most of the arts here are produced by world-weary and sophisticated older people and then consumed by younger people who not only consume art but study it for clues on how to be cool, hip - and keep in mind that, for kids and younger people, to be hip and cool is the same as to be admired and accepted and included and so Unalone. Forget so-called peer-pressure. It’s more like peer-hunger. No? We enter a spiritual puberty where we snap to the fact that the great transcendent horror is loneliness, excluded encagement in the self. Once we’ve hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then it’s stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naivete. Sentiment equals nativete on this continent...

Mediocrity is contextual. zapallar was gorgeouse.

To be a mass tourist, for me,...is, in lines and gridlock and transaction after transaction, to confront a dimension of yourself that is as inescapable as it is painful: As a tourist, you become economically significant but existentially loathsome, an insect on a dead thing.I have now seen sucrose beaches and water a very bright blue. I have seen an all-red leisure suit with flared lapels. I have smelled suntan lotion spread over 2,100 pounds of hot flesh. I have been addressed as "senor" in six different nations. I have seen 500 upscale Americans dance the Electric Slide. I have seen sunsets that looked computer-enhanced. I have (very briefly) joined a conga line.

Funny, sometimes I WISH I SPOKE SPANISH BETTER AT OTHER TIMES IM GLAD BECAUSE I CAN JUST FUCKING SHUT UP AND BE A PASSIVE PARTICIPANT IN A CONVERSATION.This is another paradox, that many of the most important impressions and thoughts in a person's life are ones that flash through your head so fast that
fast isn't even the right word, they seem totally different from or outside of the regular sequential clock time we all live by, and they have so little relation to the sort of linear, one-word-after-another word English we all communicate with each other with that it could easily take a whole lifetime just to spell out the contents of one split-second's flash of thoughts and connections, etc. -- and yet we all seem to go around trying to use English (or whatever language our native country happens to use, it goes without saying) to try to convey to other people what we're thinking and to find out what they're thinking, when in fact deep down everybody knows it's a charade and they're just going through the motions. What goes on inside is just too fast and huge and all interconnected for words to do more than barely sketch the outlines of at most one tiny part of it at any given instant